This Mythbustin’ Nashville YouTuber Is On A Guitar Gear Quest

This Mythbustin’ Nashville YouTuber Is On A Guitar Gear Quest

This Mythbustin’ Nashville YouTuber Is On A Guitar Gear Quest

While people’s feelings about their own gear and what it does can often psychologically affect how they play the game, that doesn’t mean the gear is doing exactly what they think it is doing. Lill jokes about a friend – whose playing, for the record, Lill insists he loves and learned a lot from – who uses a Two Rock amp setup on a digital amp to get a sound he calls “that John Mayer thing.” “. The thing is, when Lill asked her friend which model Two-Rock amp John Mayer plays and which amp is in the modeller, he didn’t know.

“It’s funny,” he says. “It’s like saying ‘Man, I love Dale Earnhardt. That’s why I drive a Chevy, you know, just like Dale’s.’”

Perhaps what impresses me most about Lill is that, in a world of influencers who are actively growing their followings on social media, he doesn’t intend to turn his videos into his full-time livelihood. Instead, he’s just a musician, sharing what he learns with those of us who don’t have the time and resources to do the same experiments.

When asked why he started making the videos, he says, “I realized that knowing the answer without having any proof doesn’t always work the same as when you actually capture it on video. So I try to make sure things are captured on video as much as I can.” They have surprisingly high production value, for a man who admits that in the beginning he didn’t really own a camera.

Instead, Lill gave me a free gift – the knowledge that speaker cabinets and tone settings are more important than the piece of wood and strings in my hand. This is valuable information given the amount of time I spent looking for guitars and not fiddling with tone knobs.

“I’ve seen many different approaches to how people convey information on the Internet, and the path I’ve chosen is as unbiased and kind as possible,” he says. “It really doesn’t matter if someone believes me or not. It’s just a guitar.”

Jim Lill’s Current Signal Chain

Given his background and auditioning history, what does Jim Lill actually wear? Here’s the audio equipment you’ll find in your studio.


Lill says, “Anderson Tele has been my number one since high school.” The other guitars and basses are for specific sounds but aren’t used as often.


The Tom Anderson Telecaster features a 2018 Seymour Duncan Vintage Stack bridge pickup, 1980 Bill Lawrence Black Label S2 center pickup, and a 2009 Seymour Duncan Mini Humbucker neck pickup. Lill notes that he only uses the bridge pickup on the telecaster. All other guitars have original pickups.


Lill uses a 2001 Boss CS-3 compressor pedal to balance the different volumes of different guitars. That goes to a Xotic RC Booster for solo volume and an overdrive 2020 Nobles ODR-1 (painted black) and 2017 Paul Cochrane Timmy V2 (white tape added to read “Jimmy”) for a little spunk in your tone. Then the signal hits a 1990s and 2018 Ernie Ball volume pedal Sonic Research ST-300 Turbo Tuner Mini for volume and pitch control. For the final steps of his chain, he adds a Boss TR-2 Tremolo (painted black) and uses a 2020 Line 6 HX Stomp, mostly for its legacy delay algorithms. “The tuner, CS-3 and delay are the most used,” he says. “Tremolo is generally for Bass6. Everything else is just in case.


Lill owns a 1966 Fender Bassman head (original AB165 circuit), a heavily modified 1965 Fender Bassman head, and a 2001 Carr Slant 6V 1×12 combo. “I’m working on figuring out the status of my amp right now,” he says. “I imagine one of those three will end up being my main amp.”

Lill’s speakers.

Cinematography: Jim Lill


Lill combines her own homemade 2022 2×12 with a 2001 Celestion Vintage 30 (with side closed) and 1967 Fender Utah (with side open). “I’ve mostly been using what I made,” says Lill, “but I also have two cabs that JT Corenflos used on sessions and a cab that Tom Bukovac used on sessions.” Impulse responses from Jim’s offices are available for sale on his website.


Lill uses a Shure SM57 (one for each speaker). On placement, he says, “I learned in my favorite studio to place the mic two fingers from the grille cloth, straight on axis, pointed at the line between the dust cap and the cone. That’s where I start. “

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